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선생님 2014-01-17 05:17 조회 수 3540 댓글 수 0

Willem Hofhuizen ( 1915 ? 1986) Dutch painter and Expressionist.

From Wikipedia

Wilhelmus Johannes Maria (Willem) Hofhuizen was born in Amsterdam on 27 July 1915 but a few years later his parents moved to Roermond, where Willem spent his childhood at the Kapellerlaan. In 1931 he went to Nijmegen and then to Amsterdam to study at the teachers training college and later at the State Academy for the Visual Arts in Amsterdam, under Jurres and Campendonk. His fellow students at the Academy included Jaap Min, Karel Appel, Corneille and many others who would later rise to fame, as well as Jos Hagemeijer (1920-1991), whom he would later marry and who was a talented artist in her own right. However, it was the Kapellerlaan and the nearby chapel in Roermond that had the most profound impact on Hofhuizen's emotional development. There, he developed his emotional bond with the Catholic church and his sense of the monumental. In Amsterdam, where he had his first workshop at the Lauriersgracht, he soon felt the urge to go the "Catholic south" of the Netherlands, far south, as he later told his friends. In 1944, during the second world war, he moved to the "liberated" city of Deurne (where he stayed with Hendrik Wiegersma, general practitionar and fine artist, and Peer van de Molengraft, fine artist) at the request of industrialist and arts patron Henk te Strake and in 1946 he moved further south to the “Catholic” city of Maastricht, where he was to remain for the rest of his life. In Deurne his first son, Peter, was born. Later the Hofhuizens had a daughter, Josee, and another son, Domien. Willem Hofhuizen had his second workshop in Maastricht at the Pieterstraat in the old mill above the workshop of Hubert Felix, a glazier. When this was to be demolished as part of a city redevelopment project, the municipality offered him all the space he wanted in the school for canal-boat children at the Lage Kanaaldijk, for a symbolic sum. There he continued to work and - after the judicial separation from his wife in 1956 - live, until his death on 23 December 1986. After his separation Tinie van Bragt - the wife of Tonnie van Bragt, professor at the Academy for the Visual Arts Jan van Eyck in Maastricht - cared for him for almost twenty years. She did his laundry for him and brought him food. To soften his grief and relieve his loneliness she sometimes came to read a book or exchange a few words with him at his house in the evening. Hofhuizen spent the last ten years of his life with his bosom friend, the painter Petran Vermeulen (1915-1988), and his dear friend Marianne Bakels. After Willem Hofhuizen’s death Petran Vermeulen said he wished that he, too, were dead. Two years later his wish was fulfilled.



The Judgement of Paris
1982


 

De blauwe kamer


 

Beetje Pompejaans


 

Pratende vrouwen


 

Orpheus en Eurydice


 

Vrouwen en Kinderen


 

Strandtafareel


 

De zwarte bruid


 

De zwarte hoed


 

L'amoureuse


 

De sabijnse maagdenroof


 

Verdrijving uit het paradijs


 

Perseus bevrijdt Andromeda


 

Penelope en de vrijers


 

Sodom en Gomorrha


 

Orpheus gestenigd door de Bacchanten


 

De dans van Salome


 

De dans van Salome


 

Marga Aben


 

Hemelvaart


 

Hemelvaart


 

Duistere macht


 

Mother and child


 

The Kalmuks


 

Stupid Ludmilla


 

Elka and the he-goat


 

The Hanged
1974


 

Journey


 

Orestes' revenge
1967


 

Orestes' revenge
1970


 

Orestes' revenge
1970


 

Orestes' revenge
1970         
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